Recent Articles:
- Canadian gaffs and practical amusements
- Nice things that Canada can do for its 150th birthday
- The five most difficult countries to visit
- Former Frank editor makes Gram Parson's musical
- Writing advice from Ian Fleming
- A typeface explains his viewpoint
- Telegraphs and code words
- That Bloody Sunday inquiry in full
- The Paris Review
- US labels create fake lobbying group for Canadian copyright change
Usual Suspects:
- The Bigge Idea
- Chuck Dollarsign
- Heather Faulkner
- Martha Gall
- Alan Hindle
- Michael Klassen
- David Look
- Amil Niazi
- Christy Nyiri
- Cameron Reed
- Ginger Sedlarova
- Adam O. Thomas
Home Papers:
09 July 2008
» NY Times finds great design at London student shows
Emma Weber at the London College of Communication has
made an ethical labeling project combining a bar code sticker that consumers at the supermarket can read with their cellphone cameras, an Ethical Facts Web site and a ratings system which measures, from zero to nine, how the people who made the product are treated, how the product affects the environment and how harmlessly it can be dumped or recycled. The result is a combined “ethiscore”; the pomegranate smoothie in Emma’s example got a ethiscore of 24 out of a possible 27 — a rating likely to impart a righteous glow to consumer and producer alike.
At the Royal College of Art, Valerio Di Lucente, Hugo Timm, Filip Tydén and Erwan Lhussier have re-imagined that pariah of fonts, Microsoft’s Comic Sans, with Serious Sans.
Struggling to understand what could possibly be good about Comic Sans (Serious Sans’ designers) found that the doggedly goofy font’s irregular forms made it one of the easiest typefaces for dyslexics to read. The designers also liked how it undermined the authority — and changed the meaning — of texts set in it.